“I really want to reiterate how impressive both of your pieces are. They show a depth of internal thinking that I think is quite remarkable and vastly mature when it comes to creative nonfiction. Your ability to use a reflective voice when considering the past is both skillful and at times, spellbinding. . . . [“Dinner Theater”] operates with a freshness and a nuance that isn't widely seen.”
– Devin Kelly, author of the poetry collections Blood on Blood (Unknown Press), and In This Quiet Church of Night, I Say Amen (Civil Coping Mechanisms), writing of “Public Art” (LUMINA Online Journal, 2015) and “Dinner Theater” (Black Rabbit Review) in 2013, as nonfiction editor of LUMINA.
Vol. 1 Brooklyn: Transableism, Jonathan Safran Foer, and MeBlack Rabbit Review: Dinner TheaterHazlitt: Toward My Own Definition of Disability
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Hyperallergic: In the Desert, a Vulture Spirit Follows a Trail of Femicide - interview with Quintan Ana WikswoCrenshaw Seeds: MenagerieHyperallergic: Traces of Extinct Animals at the Armory ShowThe Brooklyn Rail: When Being Bad Is GoodNieman Storyboard: "Why's this so good?" No. 95: Patrick Radden Keefe and the loaded gunThe Brooklyn Rail: Mrs. Brown's FurnitureThe Brooklyn Rail: Ceci N'est Pas Un BateauSciArt in America (April 2014): Intrinsic Romance: A Review of "4Chambers"The Brooklyn Rail: The Author Would Go On To Repeat HerselfSciArt in America: The Art of the BrainCrenshaw Seeds: A Letter To Virginia Woolf About Writing For A LivingCrenshaw Seeds: "I Just Called To Say I--": Music BoxScienceline.org: Guernsey of Bergen StreetCrenshaw Seeds: Bleeding In StyleHuff Post: Learning the Art of Losing: A Response to Taylor Cotter's Quarter-Life CrisisTalking Writing: "Half-Publishing" to Respect My Father's PrivacyBagel with the Bards: Arnold |
